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Maren Hassinger
Steel Bodies | Socrates Sculpture Park -
Maren Hassinger returns to Socrates Sculpture Park with Steel Bodies, a series of new works, following her first presentation with the park in the group exhibition Sculptors Working (1988-1989).
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MAREN HASSINGER, VESSEL 9, 2022, PHOTO BY: NICHOLAS KNIGHT STUDIO
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Sprawled across Socrates’s five-acre campus and situated against the backdrop of the NYC skyline, these site-responsive works, which take the form of various iconic vessels drawn from ancient archetypes, seamlessly merge the natural and the manmade. Whether suspended in trees or rooted on terra firma, these vessels all share the same internal air and collective space. With some of the works in the series reaching up to eleven feet high, Hassinger’s sculptures provide viewers with an enhanced awareness of their bodies in public space. These works—grounded, yet light—inform and respond to the surrounding environment of city and landscape.
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Throughout her artistic practice, Hassinger has looked to the vessel for its rich history, symbolism, and resonance with the human body. She observes that “vessel” is a term often ascribed to women but asks that we free ourselves from the traditional limitations of that label, using her work to expand its meaning.
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“Vessels are what we all are – and it’s within our capacity to recognize each other as companions…Whoever we are, wherever we’re from, we are companions – capable of compassion for one another.”
- Maren Hassinger -
Installation Shot: Maren Hassinger, Vessel 7, Socrates Sculpture Park, 2022, Photo by: Woomin Kim
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Hassinger’s steel works nod to her amphora drawings, first created in 2021. Representing the ancient Greek water vessel, the artist delicately sketched the outline of these pots with a faint sweeping mark, the shape and airiness of Amphora I analogous to Vessel 5 on view at the park.
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Amphora II with curved handles like arms resting akimbo resembles the silhouette of Vessel 6 as the metallic graphite mark reflects the wispy threads of wire rope. With these simple gestures– open forms and fine lines– the artist reminds us that at our core we are the same, conceived as equals.
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At the time, each of her three steel bushes were sited in a different location: one beside a fence and the other two in the marsh grass. Through their seemingly haphazard placements, Three Bushes brought attention to nature’s subsistence in urban spaces, sacred and tentative, but resilient nonetheless.
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MAREN HASSINGER: Steel Bodies
Past viewing_room