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MAREN HASSINGER
NATURE, SWEET NATURE | ASPEN ART MUSEUM -
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[The exhibition] does bring up very poignant issues. Even the title Nature, Sweet Nature [speaks to] our relationship to nature, and how it is tenuous, how it has been changing and is continuing to change, and the fragility of the whole thing. - Maren Hassinger
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Maren Hassinger has created two site-specific wire and concrete works for the Aspen Art Museum's Roof Deck Sculpture Garden— these new installations, Paradise Regained and Garden, mimic the natural landscape using industrial materials common to Hassinger's practice: wire-rope and concrete. Garden features 43 wire-rope sculptures that burst forth from the rooftop's planters, acting as an unwieldy vine among the existing flora and fauna. Paradise Regained sits freestanding in the center of the courtyard, orderly rows of wrought wire "swaying" in the wind like a field of grass. In dialogue with Aspen's majestic setting, Hassinger asks viewers to take a moment to reflect on the beauty of their surroundings and to consider the role that nature plays in their lives.
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I gravitated towards wire rope because it reminds me of nature. The spirals are like rivers and streams, the open ends, like twigs and branches. And because wire rope is manufactured and not natural at all, it sets up a wonderful poetic comparison. I'm hoping that the beauty of these wire rope elements will remind us of the beauty, fragility, and tenderness of our own nature, sweet nature. -Maren Hassinger
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SPLINTERING
1981/2019 -
As a young artist in the Seventies, Maren Hassinger often repurposed the wire rope from earlier installations to make new work. Such is the case with this series of wall works entitled Splintering, whose wire-rope material is appropriated from the 1981 Los Angeles County Museum of Art installation, On Dangerous Ground. The two installations share both material and conceptual underpinning. Cut and splayed to suggest bundled tree branches, these constructions mimic nature while suggesting an air of treachery. Within the museum context, the work was meant to speak not only to our relationship to the environment but also, subversively, to the narrow value system articulated by the powerful and patriarchal institutions of the period.
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MAREN HASSINGER: Aspen Art Museum
Past viewing_room