Past
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RYAN WALLACE
THE UNANIMOUS HOUR 12 Nov 2020 - 16 Jan 2021 Wallace continues to push his mixed media paintings to conjure an ethereal space between the material and immaterial. The abstract shapes cut from canvas actively work with and against the other by folding, evolving, and repeating across the support. He excavates and manipulates the surface of his works to bring forth a multitude of textures and perspectives. Tiers of oil, acrylic, mylar, aluminum, and copper tape unite to evoke a captivating portal into Wallace’s process and vision. Read more -
ROBERT KOBAYASHI
MOE'S MEAT MARKET 17 Sep - 7 Nov 2020 The year before his retirement from MoMA in 1978, Kobayashi bought a building with his wife, Kate Keller Kobayashi, on Elizabeth Street in Little Italy. Taking over an existing butcher shop, the space assumed various guises, ultimately settling into its role as gallery operating under the moniker, Moe’s Meat Market. Avoiding commercial art settings, Kobayashi preferred to present his pieces at Moe’s Meat Market, and by 2009, the space served exclusively to exhibit his own work Read more -
BENJAMIN DEGEN
IN WAVES 14 Mar - 24 Jul 2020 Degen’s works employ extensive mark-making and fluid touches to describe a human presence. As the paint darts across the canvas or the ink is actively applied on paper, we move through the landscape while the landscape moves through us. Degen’s act of looking becomes a way for us to see ourselves, within a moment, connected to this world. Read more -
BEVERLY SEMMES
RED 30 Jan - 7 Mar 2020 Semmes initiated FRP in the early 2000’s. A sculptor by training, she has long used massive scale, electric color and vessel forms— such as dresses, pots, and chandeliers— to mess with authority. Petunia filled a cathedral nave in the Netherlands with a lake of pink chiffon that pooled as if it were the skirt of the performer who sat in attendance. FRP newly expands the set of operations of this larger body of work. Read more -
BY / BUY ME
6 Dec 2019 - 25 Jan 2020 "By / Buy Me" explores the artist as self-publisher of artworks in editions — multiples, prints, posters, wallpaper, artists’ books and other goods that interrogate, parody or question the commodification of art. Since Duchamp produced his first Boîte-en-valise, containerizing his oeuvre and assuming the mantle of traveling salesman, artists have consistently advanced new means of self-publishing and subverting, the traditional role of artist as maker tied to the middleman of publisher and dealer. Read more