WILLIAM SCHWEDLER: Against The Grain
3 September - 12 October 2024
Susan Inglett Gallery presents the first exhibition of William Schwedler’s (b. 1942, d. 1982) paintings and drawings in New York since 1983. Among the early victims of the HIV/AIDS epidemic, Schwedler still managed to carve a space for himself in the New York scene. After attending the Art Institute among what became known as the Chicago Imagists, Schwedler completed his studies at Pratt. While not part of the group formally Schwedler was very much influenced by his peers, distinguishing himself by devising highly architected spaces devoid of the figure but not devoid of the uncanny.
Gallery II will feature work by Cynthia Carlson, Art Green, Gladys Nilsson, Jim Nutt, Christina Ramberg, and Karl Wirsum.
The Armory Show: CHANNING HANSEN & WILMER WILSON IV
6 - 8 September 2024
The Focus section, curated by Robyn Farrell, re-engages the experimental spirit and avant-garde histories of the Fair’s founding. As an early participant in the Gramercy Park Hotel Fair, the Gallery was invited to exhibit two artists who captured the early renegade spirit of the Fair: Channing Hansen (b. 1972) and Wilmer Wilson IV (b. 1989). Both artists are well known for thinking outside-the-box employing their respective media with attention to materiality and process
MARTHA JACKSON JARVIS
17 October - 30 November 2024
Following a successful solo exhibition at the Baltimore Museum of Art, Martha Jackson Jarvis' (b. 1952) has made a selection of those works to feature in her first exhibition with the Gallery. Here Jarvis bears witness to her great-great-great grandfather's experience as a free Black militia man during the American Revolutionary War . In her large-scale abstract paintings, Jarvis tracks his physical journey through various landscapes, both wild and domestic, embedding the work with deep-seated memories of time and place. Jarvis’ practice spans decades and media, ranging from large-scale sculpture and public art installations to works on paper.
THE ADAA ART SHOW
30 October 2024 - 2 November 2024
Susan Inglett Gallery will exhibit select works by Martha Jackson Jarvis, in tandem with her first exhibition at our gallery.
THE BOY'S CLUB
5 December 2024 - 25 January 2025
THE BOY'S CLUB, curated by Cortney Connolly, brings together female and queer artists of various generations and disciplines to subvert Pop Art-as-methodology, interrogate power systems bolstered by mass communication, and reclaim sexuality and subcultural identity.
SAYA WOOLFALK
6 February - 15 March 2025
Saya Woolfalk (b. 1979) is a New York-based artist who uses science fiction and fantasy to re-imagine the world in multiple dimensions. With the multi-year projects No Place, The Empathics, and ChimaTEK, Woolfalk has created the world of the Empathics, a fictional race of women who alter their genetic makeup to fuse with plants. With each body of work, Woolfalk continues to build the narrative of these women's lives and questions the utopian possibilities of cultural hybridity.
MAREN HASSINGER
20 March - 26 April 2025
Maren Hassinger (b. 1947) has built an expansive practice that articulates the relationship between nature and humanity. Carefully choosing materials for their innate characteristics, Hassinger has explored the subjects of movement, family, love, nature, environment, consumerism, identity, and race. Hassinger uses sculpture, film, dance, performance art, and public art to investigate the relationship between the natural world and industrial materials. Hassinger will be honored with a major exhibition and catalogue at the Berkeley Art Museum in 2026.
HOPE GANGLOFF
1 May - 7 June 2025
Hope Gangloff (b. 1974) paints vibrant landscapes and intimate portraits that depict various, everyday moments, charging the seemingly mundane with a bright and saturated palette. Commonplace activities become tenderly captured moments, something quotidian immortalized as something extraordinary.
GREG SMITH
13 June - 26 July
Greg Smith (b. 1970) stages exhibitions that consider the possibilities and problems presented by our current technological deluge. He builds installations using an amalgam of unlikely materials and processes that trace contemporary limits of language, ownership, and governance. Through his enigmatic work, the artist delivers coded messages that reward the curious viewer with access to hidden assets.