-
CHANNING HANSEN
Continuity Fabric, 2021California Variegated Mutant (Rhea), California Variegated Mutant (Sriracha), California Variegated Mutant (Talia), Cotswold (Sassy), Jersey Wooly (Miss Maple), Romeldale (January), Romeldale (Qassiopeia), Romedale (Shelby), Romedale (Tapestry), and Teeswater (F2019-0339) fibers; Tussah silk, and Mulberry silk; holographic polymers, and photo-luminescent recycled polyester fibers; Ingeo corn, soy silk, and bamboo carbon fibers; Sequoioideae Redwood50 x 45 in
127 x 114.3 cmFurther images
-
(View a larger image of thumbnail 1
)
-
(View a larger image of thumbnail 2
)
-
(View a larger image of thumbnail 3
)
-
(View a larger image of thumbnail 4
)
-
(View a larger image of thumbnail 5
)
-
(View a larger image of thumbnail 6
)
-
(View a larger image of thumbnail 7
)
-
(View a larger image of thumbnail 8
)
-
(View a larger image of thumbnail 9
)
'The intersection between weaving and science has a long history, one that dates back to Charles Babbage’s nineteenth-century analytical engine (and to Ada Lovelace’s early algorithms for it), which was..."The intersection between weaving and science has a long history, one that dates back to Charles Babbage’s nineteenth-century analytical engine (and to Ada Lovelace’s early algorithms for it), which was based on his observations of jacquard looms, the first partially automated weaving machines. To go back much further, even Aristotle knew that technē (or craft) was also a form of knowledge, a way of understanding, and an opening into the unknown. Hansen is the latest in such a lineage, and his constructions are at once marvels of handwork and invitations to contemplate our world from another point of view..."— Andy Campbell, ArtforumExhibitions
"CHANNING HANSEN: I, Algorithm" Susan Inglett Gallery, NYC, 08 September 2021 - 16 October 2021. -
(View a larger image of thumbnail 1
)
