MICHI MEKO
FogLand: Within the Barren Valley of The Black Monoliths. The Narrow Path Through Our Bullshit. Woosah Muthafucka Woosah, 2022
Acrylic, aerosol, oil pastel, white colored pencil, gouache, gold leaf, Mr Crappie 4lb fishing line, fly line backing, black PomPoms, hologram glitter, sequins on canvas
66 x 102 in.
Copyright The Artist
Further images
In FogLand: Within the Barren Valley of The Black Monoliths. The Narrow Path Through Our Bullshit. Woosah Muthafucka Woosah Meko uses the laws of the natural world as a tool...
In FogLand: Within the Barren Valley of The Black Monoliths. The Narrow Path Through Our Bullshit. Woosah Muthafucka Woosah Meko uses the laws of the natural world as a tool to investigate one’s soul. The artist describes his compositions as ‘internal landscapes’: “we are an internal mess, and we hide it amongst our landscapes, mask, or fake smiles. A walking Shit Show with a smile. Once we get deep into the natural world, the beauty and its hazards will kill you and be indifferent if one is not mindful, careful, or considerate.” From gold flecks to phantom trees, the composition renders the Wilderness at night to capture the complexity of the soul.
Exhibitions
"The Burden of Wait: Paintings from the New American South," Susan Inglett Gallery, NYC, 8 December 2022 - 28 January 2023.1
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