09 April 2018
William Villalongo in The New York Times, In the NBA, the Court and the Canvas Are Increasingly Intertwined Tuesday 9 April, Sports Section!
28 February 2018
Profile of William Villalongo and Black Pulp!, curated by William Villalongo and Mark Thomas Gibson in WHYY.PDF
27 February 2018
02 February 2018
Black Pulp! curated by William Villalongo and Mark Thomas-Gibson at the African-American Museum in Philadelphia 2 February through 29 April.
05 January 2018
William Villalongo opens tonight in Oscillation curated by Dan Cameron for Jonathan Ferrara Gallery New Orleans, through 23 February.
29 November 2017
William Villalongo "Keep on Pushing" reviewed in Hyperallergic, 29 November.PDF
28 November 2017
Now Available, William Villalongo "Keep on Pushing" T-Shirts!
22 November 2017
William Villalongo "Keep on Pushing" reviewed in the New Yorker, 27 November.PDF
03 November 2017
William Villalongo in "Lack of Location is My Location" at Koenig & Clinton, Brooklyn, NY, 3 November 2017 through 7 January 2018.
25 October 2017
William Villalongo's solo exhibition "Keep on Pushing" listed as one of "10 Must-See Art Shows Opening This Week" by PAPER Magazine.PDF
25 October 2017
William Villalongo's solo exhibition "Keep on Pushing" listed as one of "18 Thing You Should See During New York City's Print Week 2017" by Artnet news.PDF
15 September 2017
William Villalongo in "Near & Dear" curated by Carrie Moyer at the Elizabeth Foundation Project, NYC 15 September to 28 October 2017.PDF
12 September 2017
William Villalongo's solo exhibition, “Outside My Name or Through Other Eyes,” at the University of Connecticut Storrs Contemporary Galleries 12 September to 13 October 2107
02 July 2017
William Villalongo's “Barack and Nefertiti in the Vela Supernova Remnant" featured in "Which Artist should Create Obama's Official Presidential Portrait?," Hyperallergic by Seph Rodney on 2 July 2017.PDF
13 June 2017
"Black Pulp! and Woke!", curated by William Villalongo, reviewed in Creative Loafing by Caitlin Albritton on June 13, 2017.PDF
02 June 2017
"Woke! : William Villalongo and Mark Thomas Gibson" at University of South Florida Contemporary Art Museum, Tampa, FL, 2 June 2017 through 22 July 2017.
02 June 2017
"Black Pulp!", curated by William Villalongo and Mark Thomas Gibson, will travel to University of South Florida Contemporary Art Museum from 2 June 2017 through 22 July 2017, in conjunction with "Woke!". The exhibition originated at Yale University's 32 Edgewood Avenue Gallery and traveled to the International Print Center New York, NYC.
14 April 2017
William Villalongo and Susan Inglett Gallery are proud to support 7-inches for Planned Parenthood. The project is made up of contributions from acclaimed creative minds, artists and musicians, who stand with Planned Parenthood and its patients. Vinyl with artwork will be released in batches digitally, and will be made available in its entirety as a box set. Each set will include a unique piece of artwork accompanying two of unique music, spoken word or comedy. Planned Parenthood will receive 100% of the proceeds from the sales and listens.
27 January 2017 - 19 March 2017
"Crossing the Line: Selections from the Grinnell College Art Collection," Faulconer Gallery, Grinnell College, IA
19 November 2016 - 16 January 2017
"November's Bone," at Halsey McKay Gallery, Hamptons, NY, on view through 16 January 2017.
1 October - 17 December 2016
"Black Pulp!", curated by William Villalongo and Mark Thomas Gibson, will continue to travel, having originated at Yale University's 32 Edgewood Avenue Gallery to the International Print Center New York, NYC. The exhibition has received reviews in the New York Times, Art in America, Hyperallergic, amongst others.
23 June 2016
"Disguise: Masks and Global African Art, Where Traditional Meets Avant-Garde," by Ken Johnson featuring William Villalongo in The New York Times, 23 June 2016PDF
Fountain Head Residency in Miami, FL, Summer 2016.
31 May 2016
"Masks as Muse: The Brooklyn Museum's Modern Discourse of African Art," by Constance Victory Small in After Nyne, 31 May 2016PDF