Exhibitions

Robyn O'Neil: I Burned Waves

Wavescene, 2014, Graphite and oil pastel on paper, 11 5/8 x 13 1/8 in., 13 13/16 x 15 1/4 in.

White Rain, 2014, Graphite and oil pastel on paper, 11 x 15 3/8 in., 13 1/8 x 17 7/16 in.

Drop, 2014, Graphite and oil pastel on paper, 13 x 15 in., 15 1/2 x 17 1/16 in.

Time Field, 2014, Graphite and oil pastel on paper, 11 1/2 x 15 in., 13 13/16 x 17 1/16 in.

Little Pink Lake, 2014, Graphite and oil pastel on paper, 11 3/16 x 15 in., 13 7/16 x 17 1/8 in.

The Waiting, 2014, Graphite and oil pastel on paper, 11 5/8 x 12 9/16 in., 14 x 14 3/4 in.

The Tower, 2014, Graphite and oil pastel on paper, 9 x 11 5/16 in., 11 1/4 x 13 5/16 in.

Strange Little River, 2014, Graphite and oil pastel on paper, 9 1/8 x 12 3/4 in., 11 5/16 x 14 13/16 in.

The Occasional Witness, 2014, Graphite and oil pastel on paper, 8 5/8 x 13 1/8 in., 10 3/4 x 15 1/4 in.

These Reflections, 2014, Graphite and oil pastel on paper, 11 1/8 x 15 1/16 in., 13 1/2 x 17 in.

The Watcher II, 2014, Graphite and oil pastel on paper, 10 5/8 x 11 15/16 in., 12 7/16 x 14 in.

The Unmoored, 2014, Graphite and oil pastel on paper, 13 5/8 x 14 15/16 in., 15 3/4 x 17 1/16 in.

Three Heads, 2014, Graphite and oil pastel on paper, 13 1/4 x 11 15/16 in., 13 7/16 x 14 in.

Crowd Scene I, 2014, Graphite and oil pastel on paper, 12 1/4 x 14 1/2 in., 14 1/2 x 16 1/2 in.

Press Release

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Artists

Susan Inglett Gallery presents new work by Robyn O’Neil, from 12 September to 18 October. A reception for the artist will be held Friday evening 12 September, from 6 to 8 PM.

I BURNED WAVES lyrically circumscribes the essence of Robyn O’Neil’s recent drawings. Inspired by the power of weather and vista, the artist resolutely sets aside the figure to focus on the beauty of the landscape, the sublime. All seventeen drawings are rendered on a small intimate scale, yet the untamed power of nature continues as the dominant theme.

As intimated in the title of the exhibition, O’Neil conjures a place still in dramatic formation, witnessed in different or even parallel stages of becoming. Less concerned with narrative, the artist’s interest lies in capturing a sense of mystery inspired by the natural world. O’Neil builds up turbulent grounds from powdered graphite smudged and then partially erased before layering on oil pastel. This technique creates depth and a delicate play of luminosity and tactility while managing to convey darkened psychological states. Where her large-scale works demanded patient endurance on the part of the artist, these smaller compositions demand not so much stamina as mastery of materials.

As Beth Taylor writes in her catalogue essay, stylistically “O’Neil’s new work brings to mind the landscapes of American modernists Milton Avery and Arthur Dove. Like Avery, O’Neil’s recent work embodies an imaginative use of drawing and color that convey a more personal interpretation of landscape. The new drawings also relate to the moody atmospheres found in Albert Pinkham Ryder’s allegorical paintings, filled with dream-like land and seascapes illuminated by strange light cast through mystical clouds. Even with these affinities, O’Neil has unleashed a raw world all her own, captured frame by frame in formation and filled with a sense of excitement and possibility.”

Robyn O’Neil’s work has been included in numerous exhibitions both in the US and internationally, including the Kemper Museum of Contemporary Art, Kansas City; The Museum of Contemporary Art, Chicago; American University Museum, Washington, DC; the Museum of Contemporary Art, Tampa as well as solo museum exhibitions at the Des Moines Art Center; The Contemporary Art Museum, Houston; The Frey Art Museum, Seattle; and the Johnson Museum at Cornell. Her work was included in the 2004 Whitney Biennial. O’Neil is the recipient of numerous grants and awards, including an Irish Film Board Award for "WE, THE MASSES."

The Gallery will publish a catalogue with original writing by the artist and essay by Beth Taylor.


The exhibition will be on view at the gallery located at 522 West 24 Street Tuesday to Saturday 10 AM to 6 PM. For additional information please contact Susan Inglett Gallery at 212/647- 9111, fax 212/647-9333 or info@inglettgallery.com

The Gallery will be participating in EXPO CHICAGO at Navy Pier: September 19-21, BOOTH 50 featuring the work of Chicago natives Allison Miller and Greg Smith.

Exhibitions